Bombay Sapphire Distillery - Thomas Heatherwick

During the Christmas break, I visited the Bombay Sapphire Distillery as part of my research into distilling and how architecture can enhance the overall experience. It was interesting to explore the role that architecture had within the Distillery. The Distillery itself is placed in Laverstoke Mill, which until 2011, was used to produce paper used in bank notes. This gave the site a rich cultural and historical presence within the town dating back to as early as 1086 and was recorded in the doomsday book.

During the tour, it was explained how Bombay Saphire had purchased the Grade II listed buildings to renovate the mill to be used as their distillery and visitors centre. When exploring the site in relation to my project, I was struck with how Heatherwick Studios has been able to add such modern and innovative architecture onto a listed and culturally significant site. The greenhouses almost became an extension of the historical building and created a bridge between the site’s history and its future. The use of glass and metal frame structures allowed the greenhouses to sit effortlessly within the landscape, creating a seamless effect on the site. These glasshouses stand out, yet they seem to look like they have always been there. The glasshouse also explores nature’s role in distilling the organic shape, becoming a key focus in the glasshouse’s design. These spaces housed some of the botanicals used within the distilling process and allowed the visitors to understand better what is included in Gin. The glasshouse also creates interesting, unique spaces for tours to gather, creating intimacy and serenity in the otherwise busy and populated Distillery.

What was also key to the Distillery’s design was how the architecture encouraged many people to attend the tours. When speaking to others in the group, it was clear that many people had come to admire the glasshouse and explore their construction rather than the Gin. This was interesting to me, particularly when thinking about my Distillery and how to harness extra income for the community and encourage interaction and exploration by those who don’t drink.

Overall the tour was extremely interesting and allowed me to consider how elements could be built into my overall design. It also helped me to consider architecture has a role within a distillery; if you get it right, visitors are encouraged to keep coming back!

Masters Thesis Project - Inchindown Tanks

Throughout our visit to Scotland, our aim as a studio was to choose a site for our individual thesis project. Before visiting Scotland, I was keen to see Inchindown tanks due to their history and connection to Invergordon. When looking at photos of the site, it was interesting to see a dystopian effect due to its abounded nature, which I was keen to explore first-hand.

When visiting the site, I was struck by the sculptural nature of the oil tanks and how they helped define and frame the local landscape. The tanks were extremely large, making their impact even greater. The site terrain was very rough due to the site being left since the 1960’s, creating interesting challenges when trying to get closer to the tanks. Overall I was struck by the site’s beauty and decided that this would be my thesis project location. I am interested to see how the site will influence my design work and how I use the site. Below are some of the images taken today when exploring the area.

Masters Thesis Project Site Trip - Inverness, Scotland

During our stay this week in Inverness, as part of my final year design project for my MArch, I collected many interesting photos capturing Scotland's beauty and industrial heritage. This is somewhere I have never visited before, and was struck by the beautiful landscape and its connection to the industries around the highland Captial. Below are some of my favourites, and I would highly recommend a visit!

Forest Walk

During a dog walk this morning in my local wooded area I was fortunate to see the sunrise. I decided to capture some photos as the sun broke through the tree canopy. This kind of light is dramatic and emphasised that light and shadow can make an influence in how we experience spaces. The shadows formed by the trees and woodland made the space feel enchanting and enclosed, the light also created natural highlights in the space encouraging the eye to focus on certain areas. I inspire everyone to try and experience local spaces, particularly during the pandemic in the U.K as it is advised to stay local.

Grandmas Garden Transformation

During weekends and evenings my family and I took part in a transformation of my Grandmas Garden. The brief was to create a low maintenance garden and create a new path down to the shed. The project took us just over 6 weeks to complete.

 

At the start of the project, I sat with my Grandma and discussed what she wanted for her garden.  We talked about the size of the path, the types of plants and how the garden could be designed for easy maintenance.  I designed some quick visualisations and she decided which design she liked best.

 

When undertaking the work, it was decided to incorporate some sleepers to the left hand side of the garden to address a difference in level between my Grandma’s garden and the level of the barge board to her neighbours fence.  Other than this alteration the work was carried out in accordance with the designs I drew.

 

The result has been a great success finished off by planting some winter bedding plants and planting some bulbs for the spring.  Overall, I am incredibly pleased with the result and so is my Grandma.  She is looking forward to enjoying her garden next summer.

Various design options for the garden

Various design options for the garden

RIBA South East Talk - Goldsmiths Street Creating Buildings People Love

During this months RIBA South East Online Lecture series, I listened to a talk about Goldsmith Street from Associate – Architect James Turner of Mikhail Riches.

The talk discussed all aspects of the project from the concept design, development of the chosen design, construction and the ongoing research and lessons learnt. The talk had each of these sections spoken in depth with interesting insights to take forward as an architecture student.

Goldsmiths Street was created as part of an international RIBA competition in 2008 to select the architects and the scheme for the site. The project was won by the team at Mikhail Riches. The original intention was to sell the site situated not far from the historical centre of Norwich and Norwich Castle to a local housing provider. The development had been on hold for several years due to the financial crash, the city due to this delay had changed its local authority and under new decision making it decided to develop the site itself. This meant the project was no longer for a housing association or development partner. With the development of 50 individual houses and 50 flats this represented a significant new departure for the city.  Goldsmiths Street also took into consideration the RIBA recent call to action as a climate change emergency and used this as a leaver to create the largest Passivhaus scheme in the U.K.

The site originally had single story sheltered accommodation, which was of a low density, this gave the local council a great opportunity to develop the site for a more suitable high-density plan. Near the site is the conservation area of Portland Street, this area is a typical example of Victorian terrace housing.  Used as inspiration for the Goldsmiths street with the wide roads allowing space and interaction to take place within them, this distance was taken into consideration as a key aspect to bring into the Goldsmiths street scheme.  This connection to already existing architecture became a key factor in this scheme.

 The masterplan for Goldsmiths street consisted of 93 units and 12 further units located on a separate piece of land not currently constructed. The second section of the scheme is still to be completed due to land negotiations. The existing green links around the site were reinforced with a landscape scheme that extended beyond the boundaries of the site to include local roads and a park. There was also an extended scheme to only allow a 20mph speed limit on the site to allow children and communities to gather safely.

 In my opinion, the schemes most interesting focus was its use of ginnels on the site or otherwise unused space typically between terrace houses. These shared ‘alley’ spaces encouraged children’s play and communal gatherings, the space itself is accessible from back gardens, this allowed a secure place which only key holders (residents) can access.

 In the Goldsmiths street plan they have used these spaces effectively by using landscaping to create effective community spaces. Some other areas of the site where also developed as children’s playgrounds at the end of the terraces. The interesting aspect is that parents feel happy for children to play in these spaces as the architects have developed viewpoints from various areas on the site. The ends although open are also accessible to locals and can be seen clearly from the back gardens allowing a community wide safety approach. This also helps from areas becoming anti-social and unused. These links to landscape architecture I believe are so important to modern architectural schemes due to links to wellness and mental wellbeing that thoughtful designed landscapes can bring. External elements for example bin storages are also well designed into the scheme helping them blend in with the architecture of the houses and flats.

House/ Flat design:

The scheme is dense and low rise, although it provides much more housing than other schemes of its kind which are mainly based around flats – thus making them better value for site development. The design of the houses and flats links well to the existing local Victorian architecture by taking elements of their design for example the domra windows and use of ally ways. The house types help to provide the local area with high quality social housing, each house has a front gate which allows a sense of privacy onto the community street’s and have street post boxes which are placed outside houses and integrated into the street scape to encourage accidental interaction and blend the houses thresholds into the street. Most houses are two storeys, houses are given the occasional dormer to provide a third bedroom within the roof space. Most have principal rooms facing south allowing for the sun to create natural heat within the homes and will get both winter and summer sun key to Passivhaus design. The houses are also given generous kitchen/dining rooms providing a heart of the house as well as spacious landings and stairwells for growing families.

 Flats are typically placed at the end of the terraces placed in the larger ‘house’ developments. The flats minimise the amount of future maintenance by allowing each flat to have their own front door straight onto the street with its own staircase bringing the resident down to street level – designing out all internal common parts. This allows residents to keep bikes and personal belongings within their own home without disrupting neighbours. The ground floor flat is also able to be converted to be wheelchair accessible should it be needed. Each flat also has a different coloured front door allowing ownership and identify within the complex. Every flat has its own connection to the outside space with the ground floor flat having a small garden at the back, first floor has a spacious balcony and second floor uses the tall roof pitch and a smaller balcony. This connection to the outside space allows this scheme to create interactions with flats which are higher up and the street level interactions.

In conclusion this scheme is a highly successful example of how social housing can be developed in order to facilitate a community successfully. The use of materials allows a rich and detailed look to the design. Each aspect of Passivhaus was considered to make these homes as cost effective as possible. Each house and flat concept allows the resident to become to focus of the design creating spaces and homes best fitted for their needs. The use of landscape architecture creates a vibrant space for community gatherings and for children to play and develop. Overall, this talk has enabled me to engage more with Passivhaus design and its effectiveness and quality in the design process.

For more information on this project please visit http://www.mikhailriches.com/project/goldsmith-street/

Easter Lino Print Cards

As we all couldn’t be together this year due to the current pandemic I decided to send my family members Easter cards.

I intended that the card could be displayed after Easter and sketched various options as well as looking for online inspiration, and decided on a rabbit design. In similar style to my Christmas lino cards I used black and white to create a more simple and contrasting design. I began the design process by drawing the rabbit design onto tracing paper. Once drawn it was turned over as if it was backwards, allowing the printed design to come out in the correct orientation. The image was then traced onto the piece of lino. The lino is then ready to be cut. During this process I used various sizes of cutting tools to create different patterns and detailing.


Once the plate was cut I then began producing the cards. Having chosen thick printmaking paper to create the card, I used paper-folding tools to make a crease down the center of the paper to ensure a neat fold.


Once the cards were made the inking process began, using only black ink to create a contrast allowing the design to fit into everyone’s home décor.


These cards have gone down very well with my family this Easter especially as we are not altogether.
Happy Easter!

Items Used:

  • A3 Cutting Mat

  • Pentel Mechanical Pencil with HB Leads

  • Tracing Paper

  • Thick paper preferably a minimum of 150gsm

  • Paper folding tools

  • A6 piece of lino

  • Black block printing ink

  • Fine Line Pens/ Brio for writing inside